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拉莉๐Ÿ˜—๐Ÿ˜‡萨

剧情片2024-04-09 04:39:22ไธปๆผ”๏ผš依莱姆ยท克里莫夫,Valentin,Rasputin,Stefaniya,Stanyuta
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  • ๅฏผๆผ”๏ผš依莱姆ยท克里莫夫
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A ๐Ÿ˜;loving fil๐Ÿ˜‚m t๐Ÿคช๐Ÿ˜’rib๐Ÿ˜Š.^๐Ÿ˜ฌute to Russian filmmak(๐Ÿ˜ถ=e๐Ÿ˜ƒ๐Ÿ˜Œr Lari๐Ÿ˜๐Ÿ˜sa Shepitko, wh๐Ÿ™‚๐Ÿค—๐Ÿ˜…o died trag๐Ÿค’๐Ÿคขi๐Ÿ˜˜ c๐Ÿ˜„ally๐Ÿ˜ท๐Ÿ˜‡๐Ÿ˜… i n a car acciden๐Ÿ˜ƒ!t *๐Ÿ˜ดin 1979 (,at ...

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A ๐Ÿ˜;loving fil๐Ÿ˜‚m t๐Ÿคช๐Ÿ˜’rib๐Ÿ˜Š.^๐Ÿ˜ฌute to Russian filmmak(๐Ÿ˜ถ=e๐Ÿ˜ƒ๐Ÿ˜Œr Lari๐Ÿ˜๐Ÿ˜sa Shepitko, wh๐Ÿ™‚๐Ÿค—๐Ÿ˜…o died trag๐Ÿค’๐Ÿคขi๐Ÿ˜˜ c๐Ÿ˜„ally๐Ÿ˜ท๐Ÿ˜‡๐Ÿ˜… i n a car acciden๐Ÿ˜ƒ!t *๐Ÿ˜ดin 1979 (,at the age of๐Ÿ˜๐Ÿคฎ๐Ÿ˜‡ 40. ๐Ÿค’Thi๐Ÿคญ๐Ÿคฎ๐Ÿคค(s๐Ÿ˜ด%๐Ÿคฃ docum๐Ÿคฃ๐Ÿ˜š]entary by her husband, Elem Klimo_@v_๐Ÿคจ,๐Ÿ˜‡ includes exce๐Ÿ˜ด[๐Ÿ˜€rpts ,(\fr๐Ÿ˜œ๐Ÿ˜‘om all of S(hepit ๐Ÿค—ko'๐Ÿคฃs f๐Ÿคจilms, and ๐Ÿ˜‘$%her own๐Ÿค’ voice is ๐Ÿคฎ๐Ÿค”heard ta๐Ÿ˜๐Ÿ˜›#l๐Ÿ˜ชk๐Ÿ™„๐Ÿ˜ing about her ๐Ÿ˜๐Ÿคค๐Ÿ™„life and art.ใ€€ใ€€El๐Ÿค‘๐Ÿ˜”๐Ÿ˜’๐Ÿ˜œem K๐Ÿ™ƒ\๐Ÿ˜†limo๐Ÿ˜ƒ^;v's g)rief-stricken el๐Ÿ˜„%egy๐Ÿ˜ฌ๐Ÿ˜„๐Ÿ˜ด? Laris๐Ÿคค๐Ÿ˜‚๐Ÿ˜†a exa๐Ÿ˜„๐Ÿค‘๐Ÿคช๐Ÿคขm$๐Ÿ˜›ine๐Ÿ˜™s the l๐Ÿค๐Ÿค—(+*ife of his la๐Ÿ˜๐Ÿ˜‰te wi๐Ÿ˜›=-[fe%๐Ÿ˜ฌ๐Ÿ˜˜โ€”the[๐Ÿคจ$ f๐Ÿ˜๐Ÿ˜”๐Ÿคจ๐Ÿ˜…๐Ÿ˜ilm director Lar๐Ÿ™‚๐Ÿค•^๐Ÿ˜†i(๐Ÿ˜sa S๐Ÿ˜’๐Ÿ˜›!:.hepitkoโ€”through ๐Ÿ˜ฌa๐Ÿ˜ด๐Ÿ˜ช s๐Ÿคฃer๐Ÿ˜œ๐Ÿคญ๐Ÿ™„๐Ÿ˜‚ies of d๐Ÿคฎ`irect-address inter๐Ÿ˜—-*๐Ÿคฎviews and photom๐Ÿ˜ถ๐Ÿ˜@๐Ÿ˜€o[#\๐Ÿฅฐntage+s, set _๐Ÿ˜ชag๐Ÿคญ๐Ÿค—๐Ÿ˜Œainst๐Ÿคญ๐Ÿ˜€! a ๐Ÿ˜›:mournful:๐Ÿ˜Š visual-mu๐Ÿ˜…๐Ÿ™ƒsical backd๐Ÿ˜ชr.o๐Ÿ˜๐Ÿ˜—๐Ÿคฅp. T%๐Ÿคypical๐Ÿ™‚๐Ÿ˜‘๐Ÿฅฐ๐Ÿคญly ๐Ÿ˜-)๐Ÿ˜œ, Kl!๐Ÿ˜„๐Ÿ˜‹๐Ÿ˜ทimov film๐Ÿ˜‹๐Ÿ˜™s his๐Ÿ˜‰@ su$๐Ÿ˜)๐Ÿ˜‘bjects (which include ๐Ÿ˜š h๐Ÿ™„`imself and๐Ÿ˜„ ๐Ÿคค several of Shepit[ko's co๐Ÿ˜‚llaborators) with๐Ÿ˜‡in a stark,๐Ÿค•๐Ÿ˜ถ [๐Ÿคซ๐Ÿค•sn%๐Ÿคฎow-c)๐Ÿ˜†overed?๐Ÿ™„๐Ÿ˜—๐Ÿ˜™ forest[๐Ÿ˜ด?, -๐Ÿ˜—i_๐Ÿค๐Ÿ˜ts ta#๐Ÿคฉ๐Ÿ˜ชngled web๐Ÿค‘๐Ÿ˜ฌ( `๐Ÿ˜š,of tr๐Ÿ˜”๐Ÿ˜๐Ÿ˜…๐Ÿคคee๐Ÿคฃs s๐Ÿ˜‚๐Ÿ˜ชtanding in as meta๐Ÿ˜‹๐Ÿคช%phorica ๐Ÿ˜”l re๐Ÿ˜”)๐Ÿ˜‰pre ๐Ÿฅฐ๐Ÿค•sentation of a per๐Ÿ˜ช,haps inexpressib๐Ÿ™„@le sufferi ๐Ÿคฅ=+๐Ÿ™‚ng, the r^๐Ÿคซ@๐Ÿ˜ด๐Ÿคฃesul(@๐Ÿ˜‚]t of ๐Ÿ˜—[๐Ÿ˜—Shep๐Ÿค๐Ÿค—๐Ÿ™„)i/๐Ÿคฅ๐Ÿคฎ๐Ÿ˜ฌt๐Ÿ˜˜*ko'?๐Ÿ˜ดs p\rem๐Ÿ˜†/๐Ÿค”^ature ๐Ÿคฎ)deat#h whil%๐Ÿ˜”e fil mi:#ng ๐Ÿ˜™๐Ÿ˜her adaptation ๐Ÿ˜’๐Ÿ˜!o[$๐Ÿ˜Œ๐Ÿ˜›f Valentin Rasputin's novella F!๐Ÿค—=๐Ÿค”arewell to Matyor๐Ÿ˜ถ $+a. Int๐Ÿคฉ๐Ÿ˜๐Ÿ˜ทerwea๐Ÿ˜”๐Ÿ˜‹๐Ÿ˜†ving h๐Ÿ˜˜๐Ÿคข^o#๐Ÿ˜™me movie๐Ÿ˜„_ f^๐Ÿ™„ootage wi ๐Ÿค—th sequences f=๐Ÿคคrom ^๐Ÿ˜S๐Ÿ˜…*!h๐Ÿ™„epitko' s work (๐Ÿ˜ท๐Ÿ˜ฌ[;Ma๐Ÿค๐Ÿคช๐Ÿ˜—y๐Ÿ™‚๐Ÿคข๐Ÿค‘a Bul๐Ÿ˜‰๐Ÿ˜$gakova's pens)i$ ve๐Ÿ˜”)/ pl๐Ÿค”๐Ÿ˜ท๐Ÿคฉane cras๐Ÿ˜š๐Ÿ˜„๐Ÿ˜œ\๐Ÿ˜…h rem๐Ÿ˜€๐Ÿคฅ%๐Ÿค‘iniscence ๐Ÿ˜‹๐Ÿคฅfrom Wings takes on several n๐Ÿ˜›/]๐Ÿ™‚ew la ๐Ÿ˜๐Ÿคฃ๐Ÿคจ;yers of resonan๐Ÿ˜‹๐Ÿ˜๐Ÿ˜’ce in this co๐Ÿค•๐Ÿคฅn]๐Ÿคฉtext), ๐Ÿ™‚Lari๐Ÿค” sa's ๐Ÿ˜›:๐Ÿ˜mo๐Ÿ˜‹๐Ÿ˜ชst๐Ÿ˜†๐Ÿ˜™(๐Ÿ˜˜ powerf๐Ÿค”๐Ÿค๐Ÿค’ul pas๐Ÿ˜„๐Ÿฅฐ๐Ÿ˜‰s/ age i=๐Ÿ˜`s its first accompanied b?y the grandiose final m๐Ÿคฉ:usic_ cu๐Ÿคข(^\e from S๐Ÿ˜‘h๐Ÿ˜™๐Ÿคค๐Ÿค—๐Ÿค‘epitko's You a.๐Ÿ˜nd I, Klimov dissol*/๐Ÿ˜‘v es between ;[๐Ÿคฉ[a series -๐Ÿ˜%๐Ÿคof pers] on[al p)hotog๐Ÿค^raphs๐Ÿ˜‰๐Ÿ˜” that e๐Ÿคช๐Ÿ˜˜๐Ÿ˜‰nc ๐Ÿ˜˜๐Ÿคจ$o๐Ÿ˜ช๐Ÿคฃmpass Lar`๐Ÿ˜ท๐Ÿค‘isa?=+๐Ÿ˜…'s .๐Ÿ˜Šen๐Ÿ˜๐Ÿคฅtire ๐Ÿ˜‘๐Ÿ˜ƒlife, f)r๐Ÿ˜^๐Ÿ˜ฌo๐Ÿค”m๐Ÿคจ๐Ÿ˜™๐Ÿ˜› bi๐Ÿ˜š๐Ÿคฃrth๐Ÿ˜ƒ to d๐Ÿ˜ช%๐Ÿ˜ดe๐Ÿ˜๐Ÿคญath.๐Ÿ™„๐Ÿ˜ท๐Ÿ˜‡; This brief symphony๐Ÿคญ-๐Ÿ˜… ๐Ÿ™„๐Ÿ˜€of sorr๐Ÿ™‚ow ๐Ÿ˜—๐Ÿ˜‰anticipates๐Ÿค’๐Ÿ˜ถ๐Ÿ˜‹ the c๐Ÿฅฐ๐Ÿ˜‹๐Ÿ˜‘at!๐Ÿค$=(h`\artic reve๐Ÿ™ƒ๐Ÿคฅ_:๐Ÿ˜‰rs๐Ÿ˜™๐Ÿคซe-m๐Ÿ˜otio๐Ÿ˜›๐Ÿคn c๐Ÿ˜˜๐Ÿ˜limax of Kl๐Ÿคญ๐Ÿ™ƒimov's Come and See, though b%y placing t๐Ÿคฅ๐Ÿ˜‰+he scene first w๐Ÿ˜ƒithin Larisa@[]'s๐Ÿ˜๐Ÿ˜š chronology, Klimov ๐Ÿคฅ๐Ÿ˜—๐Ÿ™‚see๐Ÿค•๐Ÿ˜š๐Ÿค—ms to ๐Ÿ˜๐Ÿ™„๐Ÿค”be๐Ÿค—๐Ÿ˜ถ# workin๐Ÿ™„๐Ÿ˜‰๐Ÿ˜†g -a`๐Ÿ˜‘.๐Ÿ˜gainst cathar๐Ÿคค๐Ÿค•sis. Th ๐Ÿ˜› ๐Ÿค‘e pain  is cl๐Ÿ˜€!๐Ÿ˜‡;e๐Ÿ˜arly fresh, th@.e wound still f*๐Ÿ˜ดester@_!ing, and Kl๐Ÿคฎ/imov+๐Ÿ˜„%$ w^๐Ÿ™‚antsโ€”above allโ€”to c.๐Ÿ˜a๐Ÿ˜Œ$ ๐Ÿ˜…p๐Ÿ˜‹๐Ÿ˜…๐Ÿ˜Št-ure how ๐Ÿ˜ด๐Ÿ˜ท๐Ÿ˜ช๐Ÿ˜de \๐Ÿ˜…ep mi๐Ÿ˜Š:sery's knife๐Ÿ˜‹๐Ÿ˜ has๐Ÿคซ๐Ÿ˜ถ๐Ÿ˜ด cut.